Harp Studies II
World Harp Traditions
Helen Lawlor & Sandra Joyce, editors
Social cohesion, musical inclusion: harp ensembles in contemporary performance practice
Helen Lawlor
‘Lantern works’: opening access to music education and harping through convent schools in Ireland
Sandra Joyce
‘Balls!’ Gender, language and aesthetic in the worlds of Irish harping
Niall Keegan
The harp in Classical Irish poetry: an edition of ‘Cia an saoi lé seinntear an chruit?’
Deirdre Nic Chárthaigh
‘When thy slender fingers go forth on the wire’: the visit of the Swedish harp virtuoso Adolf Sjödén to Ireland in 1879
Helen Davies and Lia Lonnert
Harpists without halos: virtuoso pedal harpists in Ireland in the nineteenth century
Mary Louise O’Donnell
Sustaining the harp in post-colonial Ireland
Cormac De Barra
The Viggianese harp in Italy
Catriona Cannon
A trajectory of the Breton harp in the twentieth century
Tristan Le Govic
The harp and bagpipes repertoire in Scotland
Joshua Dickson
Music and memory: West African Kora in the world of harp
Paulla Ebron
Let’s make a record! Contemporary repertoires of the ngombi harp by Mitsogo artists in Gabon
Rémy Jadinon
Diversity and variability: Central African harps
Sylvie Le Bomin and Salomé Strauch
Sources for harps in Asia
Lucie Rault
Eighteenth- and nineteenth-century pedal harps: a focus on the Philharmonie de Paris harp collection
Haley Hodson
Dawpuewae: forming and performing the Karen collective with the tehnaku (harp)
Benjamin Fairfield and Suwichan Phattanaphraiwan
Hortense Panum – a Danish pioneer in search of the origin of the harp
Lisbeth Ahlgren Jensen
Innovation crushing cultural memory: harps in South Cameroon
Susanne Fürniss